Global Pulse

"Good Morning America" is the Emmy-winning morning news program featuring anchors Robin Roberts, George Stephanopoulos, Michael Strahan and Ginger Zee.

A variety of hosts discuss mostly political current events, in hourly increments. While most of the pundits and commentators provide liberal-leaning context, also represented are Independent, Republican and Libertarian hosts, commentators and guests who interpret events through a conservative lens, which makes for lively discussion.

Four female panelists and one male colleague share their perspectives on the day's top news stories.

He's irrepressible, opinionated, and of course, politically incorrect. Comedian and satirist Bill Maher hosts this long-running, Emmy-nominated talk show, covering the week’s news and featuring a panel of guests, including actors, activists, politicians, musicians, comedians and more.

Follow the hosts of this million dollar television show as they report on the newest Hollywood gossip, movie titles and more

ESPN contracted BMG's Todd Mason to help develop the popular sports series, Pardon the Interruption (PTI). Todd was brought in during the series development phase to help brainstorm the show format and develop a technical plan and budget for producing the show. The show format featured one live remote interview. The program was designed so that both hosts could be in the studio or remote when necessary. The format required the versatility to handle live segments based on breaking news, or to do the show entirely as a live production. The 30-minute daily series was shot using two hard cameras and one jib and anchored from a studio in Washington, D.C. The program was shot live-to-tape then played live-to-air from DC with graphics and effects added on the live play-out. BMG was brought in during the series development phase to help brainstorm the show format and develop a technical plan and budget for producing the show. The show format featured one live remote interview. The program was designed so that both hosts could be in the studio or remote when necessary. The format required the versatility to handle live segments based on breaking news, or to do the show entirely as a live production. The 30-minute daily series was shot using two hard cameras and one jib and anchored from a studio in Washington, D.C.