The Final Cut

Peter Clifford, a young Catholic priest from Manchester, is transferred to the village of Ballykissangel, Ireland, and is taken by the dry-humored publican Assumpta Fitzgerald who has almost the exact opposite of his good nature and dislikes the organized church. He has to deal with occasional battles against his hateful superior, Father MacAnally, and the day-to-day problems of the people: Brian Quigley, whose constant search for money often leads him to immorality, his daughter Niamh and her lover straight-arrow garda Ambrose Egan, uptight and inquisitive shopkeeper Kathleen Hendley, gruff vet Siobhan Mehigan, cheery mechanic Padraig O'Kelly, comical schoolteacher Brendan Kearney, and elderly farmer Eamon Byrne. Later arrivals to the town include former monk Father Aidan O'Connell, pariah Sean Dillon and his daughter Emma, Eamon's nephew Danny, female Garda Frankie Sullivan, Australian Father Vincent Sheahan, and horse-trainer Avril Burke.

Two childhood sweethearts reconnect after 50 years apart and plan to marry, only to discover that a misplaced letter from their youth had kept them from finding happiness together decades earlier.

An intoxicating love story set in England's first department store in the 1870s.

An adaptation of Flora Thompson's autobiographical novel "Lark Rise To Candleford", set in 19th-century Oxfordshire, in which a young girl moves to the local market town to begin an apprenticeship as a postmistress.

The Barchester Chronicles, a BBC miniseries, is adapted from two mid-19th century novels by Anthony Trollope. When a crusade against the Church of England's practice of self-enrichment misfires, scandal taints the cozy community of Barchester when their local church becomes the object of a scathing report about the use of church funds. Consequently, an honorable middle-aged clergyman (Donald Pleasence) is forced into moral crisis and a conflict with his son-in-law, a pompous archdeacon (Nigel Hawthorne) and his youngest daughter's beloved (David Gwillim). The arrival of a new bishop (Clive Swift), his domineering wife (Geraldine McEwan), and a devious chaplain (Alan Rickman) - who may be hiding secrets - add to the dramatic scheming and complex power struggles among a colorful cast of characters.

For many years, young Molly Gibson (Justine Waddell) had lived a blissful sheltered life with her widower father (Bill Paterson). However, her world is shaken with the introduction of new acquaintances and situations. Molly becomes friends with a landed gentry family, which includes two brothers with very different temperaments. Meanwhile, her father marries a widow with a daughter close in age to her. Eventually, Molly becomes a trusted confidante for her new friends and family; but the secrets become burdensome, as the gossip begins to circulate about Molly.