Step Across the Border

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• 1990
• 1 hr 30 mins
• Documentary, Music

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In Step Across the Border two forms of artistic expression - improvised music and cinema direct - are interrelated. In both forms it is the moment that counts, the intuitive sense for what is happening in a space. Music and film come into existence out of an intense perception of the moment, not from the transformation of a preordained plan. In improvisation the plan is revealed only at the end. One finds it. The other connection concerns the work method: the film team as band. Much as musicians communicate via the music, our work, too, was realized within a very small and flexible team of equals. What mattered was exchange. And movement. Sometimes we started filming in the middle of the night, responding to a new idea that had arisen only minutes before. We had a fundamental feeling for what we wanted to do, for what kind of film this should be. And we followed that feeling. It was all very instinctive...